Posts tagged ‘writing’

March 22, 2013

my half-finished kitchen

by katie savage

I’ve wanted to post some pictures of my newly remodeled kitchen for a long time. The only problem is that I haven’t actually finished remodeling the kitchen. I haven’t finished for a long, long time, and I was waiting to have it all done before I went and slapped pictures up on the Internet. After reading your post, Maria, about hobbies and motherhood, I decided to go ahead and slap.

Interior design is, perhaps, one of my hobbies. I am by no means trained. I am probably not even very good, by most people’s standards. I like reading design blogs and figuring out how to DIY things for little to no money. I am completely attracted to the dreaming part, the transformation part, which is why it is so fun to see an ugly, old space and imagine what it could become. When we were house hunting, I was drawn to the old, pieces-of-crap sort of houses with shag carpeting left over from the 1970s and walls needing to be torn out. Scott and I hardly ever agreed because he was drawn to the, you know, functional houses with cherry cabinets and granite countertops and new beige carpeting.

When we decided last summer to redo the kitchen, I got giddy. I got so bold that I even called actual people on the actual telephone to ask for quotes, which is one of those weird fears of mine that makes me procrastinate like nobody’s business. I read even more design blogs. I took field trips to Home Depot. I painted cabinets into the wee hours of the night (that is, after 10:30, when we usually go to bed).

And then, after the kitchen was in working order again, and after the designy part was over, I stopped.

Here’s the issue: I felt, and maybe feel, some sort of embarrassment that the kitchen isn’t finished. It feels like a metaphor for my life, and maybe it is. I go from one thing to the next, leaving unfinished activities in my wake. I pull out a pile of laundry to fold, get half of it done, am interrupted, and go on to take care of whatever new thing interrupted me. It drives my husband a little batty. He wonders why I can’t just finish what I started. It drives me batty, too.

I heard recently that the greatest enemy to creativity is interruption. That hit a nerve with me because motherhood seems to be one giant exercise in interruption. The kids interrupt my sleep, my thought processes, my sentences, my huge remodeling projects. Since I’ve come to believe that much of my identity is wrapped up in being a creative, my frustration with unfinished projects began to make more sense. It’s difficult to execute creative projects—either new kitchens or new essays and blog posts and books—when you’re being interrupted by people who need things.

Am I blaming my half-finished kitchen remodel on my children? Absolutely I am. Those kids are little joy-sucking amoebas that have turned me into a half-asser.

But then again.

I think this frustration comes back to the “balance myth,” as you have called it. That term doesn’t feel right to me because I believe that balance is achievable—not in each individual moment, as your point gets to, but in an overall sort of scheme of things. Rather, I’d call it the “You Can Have It All Myth.” I don’t believe you can have it all—not on a large scale and not on a small scale. That’s the nature of life, I think: that you make choices. You figure out what is important to you and when, and you give your life over to those things. If you didn’t have to choose, and if there was some way that you could have it all, I’d argue that life would start to seem… flat.

Sometimes, a kitchen remodel is important. It is important because it helps me to be creative. It helps me to remember my strengths and what it feels like to throw myself into a project. It’s fun. It gives me a happy space. It gives me much, much better countertops.

And then sometimes, a kitchen remodel isn’t the important thing anymore. It gets pushed aside for playing hide-and-seek or peekaboo. For eating too many cookies with my husband. For catching my breath on the sofa during naptime.

And I am pretty proud of my half-finished kitchen.

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Before

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Before

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Before

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Before

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New open shelving. Counter-height bar area.

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Pay no attention to the exposed, unpainted drywall. Pay attention instead to the sparkly over-sink chandelier and the fancy vent.

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Again: green painter’s tape: not part of the design. Cool microwave shelf? Part of the design.

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Ceiling is unfinished. Floors are unmopped. But don’t you love the stainless steel countertops? And the cool white Corian?

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You can just see the giant pantry we added. It is a slightly different color than the dark green cabinets. It’s called “Extra Virgin Olive Oil.”

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Old, thrifted filing cabinets. They’re like old card catalogs except more functional.

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The stove. Not updated. I wanted to make use of our white appliances.

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Another shot of the microwave shelf.

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I had all that fruit in the fruit bowl already. Like a boss.

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Chalkboard meal planner was a Christmas gift.

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Craigslisted those bar stools. In love with them.

 

 

March 20, 2013

don’t ask me if i’m still writing.

by maria polonchek

My mom joked recently that she was going to have the phrase above printed on a shirt. (Her poignant, accessible book of poetry that explores topics from aging to war to grief can be found here.) (Have you noticed “poignant” is my new favorite word?)

Most writers (and artists and musicians and actors) who have begun or completed a major project hear this type of question often. How disappointing it is the times you have to look down at your twiddling thumbs and mutter “not really.” (Never “no.” And ALWAYS followed by an unsolicited excuse: My material was stolen. I had a baby. I was struck by West Nile Virus  My material was stolen, I had a baby, and was struck with West Nile Virus ALL AT THE SAME TIME.)

tangolikeraindrop.blogspot.com

tangolikeraindrop.blogspot.com

But, really? I’m always writing. The words flow from my gut to my heart to my brain to my twitching fingers and back to my brain again, if I can’t get them out. I’m always re-sorting experiences, organizing discussions, making sense of how sad the grocer looks, a secret the waiter must be keeping, the way the light is flooding the room.

How does it take shape? If I’m working on my novel, the words find their way in. If I’m behind on the blog, a new post sparks from the void. If I’m thinking like an essayist, lo and behold: I have another essay. When I answered the question for The Next Big Thing, “How long did it take you to write the first draft of the manuscript?” I laughed to myself and thought, my whole fucking life. When I’m asked what authors influence my work, I will say, anyone I’ve ever read. When asked what book is my favorite, I will say, the last one I finished.

I’m never not writing. So, according to poet Charles Bukowski, and others like him, I’ve found my calling. He says, on being a writer:

if it doesn’t come bursting out of you in spite of everything, don’t do it.

But still. A mother of young children finds it difficult to create. I can’t put my finger on why. Several women have tried, if you’re interested: here, here, and here.

Maybe it has to do with the myth of “balance.” When I try for balance, and one part is given more weight, the rest will tumble off the scales. Sometimes, the writing wants to consume me. Sometimes I have to let it. Sometimes, my family wants to consume me. Sometimes I have to let them. The time my familial life is most harmonious is when I’ve quieted the flood of words, whispered to the writer in me, not now. The times I’m most productive as an artist, humming along on a manuscript, I’m irritated easily by my husband and children, we eat frozen pizza for days on end, and no one can find anything in the house.

Those who offer encouragement say, “but having a child is the ultimate creative act.”

No, I don’t feel this way. A force beyond anything I could control or understand produced the art that came from the depths of my body. It was not my own.

Motherhood and creativity have a complicated relationship: not unlike that of the oil and vinegar I pour on our greens in the evening. Together, but separate. Complimentary, but will also stand on their own. A work of art when swirled, but never truly integrated.

I’ll let you decide which is the light, which is the dark. It may depend on the day.

So, yes, I’m still writing. I will always be writing.

But, for now, the pages come like slow contractions before the rush of transition: with long breaks in between.

February 27, 2013

the next big thing (too?)

by maria polonchek
um...this is the folder a friend put the manuscript in for me after I left it loose-leaf under her windshield wiper.

um…this is the folder a friend put the manuscript in for me after I left it loose-leaf under her windshield wiper.

Katie tagged me last week to answer some questions about the manuscript I’m currently not-trying-very-hard to get published. I mean, I tried for a while. I sent a query letter to a dozen big agents in NYC and heard back from one, replied promptly and enthusiastically, and then…nothing. Then, this good friend I have who wrote a manuscript when I did, got published in a big way with the help of the first agent she contacted, and because I relentlessly compare myself to other people I got jealous, got over it, and gave up anyway. The good news is that one agent read an essay published in Brain Child and has kept in touch about my progress.

So, while I don’t really feel like The Next Big Thing, but rather The Next Big Nothing, Katie will ride my ass until I answer these questions:

What is the title of the book?

Parts We Didn’t Know We Had: A Mother’s Search under the Surface

Where did the idea come from for the book?

About eight years ago, I experienced an unplanned pregnancy, had twins, and suffered terribly from depression. I’m not sure which part was most difficult, but the cultural taboos against speaking about any of the experiences candidly caused me to feel so much isolation and grief. I found solace in the few essays and books I read written by women who experienced similar hardships. I wanted to join the conversation. I found that writing about obscure body parts helped me explore themes that aren’t so tangible. Merging the concrete with the philosophical.

What genre does your book fall under?

Personal essays. I wrote fiction and poetry as an undergrad, but had no real motivation to create anything worthy of public consumption until I went through those most difficult times.  When I took a creative nonfiction class after I had the twins, I discovered a genre that felt perfect for the issues I wanted to explore.  Emily Dickinson wrote, “Tell all the Truth but tell it slant,” which is what any form of art does. But in the cases of tacking especially ambiguous themes, telling the truth in an artful way helps both the writer create and the reader absorb.

What actors would you choose to play the part of your characters in a movie rendition?

Hmmm…a movie based on personal essays. I just don’t see it happening. But…I guess the actor I love to dislike, Gwyneth Paltrow. She’s one classy broad, despite having the  soul of one who’s suffered. And she hangs with Jay-Z. I try not to implicate everyone else in my life too often in my writing, so the rest of the cast could be play by non-union extras.

What is the one sentence synopsis of your book?

This collection of personal stories—sometimes funny, sometimes poignant, but always honest—explores the complexities of having children.

How long did it take you to write the first draft of the manuscript?

Five years.

Who or what inspired you to write this book?

The placenta. The first essay I ever wrote was about this fascinating, mis-understood organ. It began as a research-driven essay, but morphed into a more personal cultural criticism about pregnancy and grief.

When I realized where I was going with my writing, after that first essay,  my children became the inspiration. As more parents produce personal writing out there, critics claim (among many things) that it will be difficult for their children to deal with in the future. But I view this project as a dedication to them: I hope to walk a fine line between telling my stories and leaving room for them to know their own. After coming out of the tunnel of post-partum depression, I believe the twins and I share a special relationship: in one essay I compare it to that of survivors.

What else about your book might pique the reader’s interest?

Let’s see…unplanned pregnancy, having twins, and depression.  Either you’re into it, or you’re not.

Will your book be self-published or represented by an agency?

Represented by an agency, if I ever regain the drive to get it out there.

February 13, 2013

the next big thing

by katie savage

51gvy4p1AyL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_I met my poet friend Katie Manning in college, where I was the bible study leader on her freshman hall. (We went to a rather small Christian college where halls had bible study leaders.) I remember that one of the studies we did was on dating, and we read a really terrible book that I want to publicly apologize for suggesting. I can’t recall the title, but the cover was pink and purple.

Anyway, she has since become a wonderful poet, even despite having read that dreadful book. She tagged me last week in a writer-to-writer interview series called The Next Big Thing, which helps writers promote their work. She has a poetry chapbook that has just been accepted for publication called Gospel of the Bleeding Woman. I have read some of her stuff, and she never ceases to amaze me with her clarity and originality.

Some of you are very familiar with my book, and others of you are new to the blog and have never heard me talk about it, so here are my answers to the interview questions:

What is the title of the book?

Whirlybirds and Ordinary Times. The title is supposed to be a juxtaposition of the miraculous and the ordinary—something the reader understands after reading the essay called “Whirlybirds,” which is the final one in the book. There is a lot that I love about this title—the sound of the word whirlybirds, the dual reference to the church season of Ordinary Time and the “ordinary times” of life upon which the book centers. But it also seems to confuse people. The publishers are suggesting we change the title for the trade paperback, which is coming out later this year. So if you have any great ideas…

Where did the idea come from for the book?

In graduate school, I began writing a bunch of essays about the season of Advent. Celebrating the church seasons was sort of new for me, as I’d grown up in a Protestant nondenominational church that never used words like “Lent.” I found so much richness in exploring the symbolism and meaning behind each season. At first, the collection was going to be all about Advent, but then I began wanting to write about experiences that correlated better with other seasonal themes. I decided to stop limiting myself, and the writing got a lot better.

What genre does your book fall under?

Creative nonfiction. Technically, it is a collection of essays. This scares people. They think about essays they wrote in high school English class or something. But I love the genre so much. In fact, it was only after I found the essay that I really began to feel “in my skin” as a writer. I couldn’t do poetry. I was not a great fiction writer, either; I kept writing the same stories, and they were all thinly veiled versions of things that had happened to me. Reading Anne Lamott in college changed my life—here was a person who was writing her own stories and finding God in them. Beautiful. Complex. Artful. I studied the essays of E.B. White, Scott Russell Sanders, David Foster Wallace, and I began to find my voice.

What actors would you choose to play the part of your characters in a movie rendition?

I would play myself. My husband would be played by George Clooney. (Just kidding, Scott.)

What is the one sentence synopsis of your book?

This collection of narrative nonfiction is an examination of my Evangelical roots and how my faith has since matured and changed shape; the voice is humorous and authentic—it strives never to take itself too seriously. (I sort of cheated with that semi-colon there.)

How long did it take you to write the first draft of the manuscript?

It took upwards of four years. I’m rather slow and contemplative when it comes to writing (which might be why blogging comes a little bit hard for me), but I had a baby during that time, too, so I have at least one good excuse.

Who or what inspired you to write this book?

The essays are mostly inspired by small moments—events that are funny, or that I can’t get out of my head for one reason or another. One was inspired by my friend Beth’s clean kitchen, for instance. Another one was inspired by some random guy asking to pluck a whisker he noticed on my chin. You know, the usual groundbreaking material.

What else about your book might pique the reader’s interest?

I hope this is a book about faith that is accessible to people who don’t necessarily claim a faith tradition as well as people who do. I don’t think of myself a Christian writer, but rather a writer who happens to be a Christian. There is a big difference between those labels—one that can cause some tension, I think. But the tension seems healthy.

To me, being a Christian is one of the most fundamental parts of who I am—no matter what I write, there are echoes of this identity there. I’m not writing for a specifically Christian audience, though, and this means that there are moments in which I don’t “tow the party line.” (You can’t find my book in some conservative Christian bookstores because of some bad words, for instance.) I think this is healthy and real. And I think the “party line” is dangerous—the political nature of the metaphor suggests why.

Being an Evangelical Christian has taken on cultural meanings that I don’t resonate with at all, so one of my main goals in this book is to get beyond the platitudes and clichés that some Christian writing gets bogged down in. Above all, I wanted the work to be honest.

Will your book be self-published or represented by an agency?

My book was published by Howard Books, which is the religious division of Simon and Schuster. And may I say, they are awesome. Seriously.

***

I’m tagging the writers below for The Next Big Thing interview series because they each have a recent or forthcoming book that I would love to hear about in detail next Wednesday.

Maria Polonchek

Jovan Brown

(I’m waiting for confirmation on the other two writers, so I’ll update this when I hear from them. I dropped the ball on asking them in a timely manner… oops!)

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