Posts tagged ‘publishing’

March 20, 2013

don’t ask me if i’m still writing.

by maria polonchek

My mom joked recently that she was going to have the phrase above printed on a shirt. (Her poignant, accessible book of poetry that explores topics from aging to war to grief can be found here.) (Have you noticed “poignant” is my new favorite word?)

Most writers (and artists and musicians and actors) who have begun or completed a major project hear this type of question often. How disappointing it is the times you have to look down at your twiddling thumbs and mutter “not really.” (Never “no.” And ALWAYS followed by an unsolicited excuse: My material was stolen. I had a baby. I was struck by West Nile Virus  My material was stolen, I had a baby, and was struck with West Nile Virus ALL AT THE SAME TIME.)

tangolikeraindrop.blogspot.com

tangolikeraindrop.blogspot.com

But, really? I’m always writing. The words flow from my gut to my heart to my brain to my twitching fingers and back to my brain again, if I can’t get them out. I’m always re-sorting experiences, organizing discussions, making sense of how sad the grocer looks, a secret the waiter must be keeping, the way the light is flooding the room.

How does it take shape? If I’m working on my novel, the words find their way in. If I’m behind on the blog, a new post sparks from the void. If I’m thinking like an essayist, lo and behold: I have another essay. When I answered the question for The Next Big Thing, “How long did it take you to write the first draft of the manuscript?” I laughed to myself and thought, my whole fucking life. When I’m asked what authors influence my work, I will say, anyone I’ve ever read. When asked what book is my favorite, I will say, the last one I finished.

I’m never not writing. So, according to poet Charles Bukowski, and others like him, I’ve found my calling. He says, on being a writer:

if it doesn’t come bursting out of you in spite of everything, don’t do it.

But still. A mother of young children finds it difficult to create. I can’t put my finger on why. Several women have tried, if you’re interested: here, here, and here.

Maybe it has to do with the myth of “balance.” When I try for balance, and one part is given more weight, the rest will tumble off the scales. Sometimes, the writing wants to consume me. Sometimes I have to let it. Sometimes, my family wants to consume me. Sometimes I have to let them. The time my familial life is most harmonious is when I’ve quieted the flood of words, whispered to the writer in me, not now. The times I’m most productive as an artist, humming along on a manuscript, I’m irritated easily by my husband and children, we eat frozen pizza for days on end, and no one can find anything in the house.

Those who offer encouragement say, “but having a child is the ultimate creative act.”

No, I don’t feel this way. A force beyond anything I could control or understand produced the art that came from the depths of my body. It was not my own.

Motherhood and creativity have a complicated relationship: not unlike that of the oil and vinegar I pour on our greens in the evening. Together, but separate. Complimentary, but will also stand on their own. A work of art when swirled, but never truly integrated.

I’ll let you decide which is the light, which is the dark. It may depend on the day.

So, yes, I’m still writing. I will always be writing.

But, for now, the pages come like slow contractions before the rush of transition: with long breaks in between.

February 27, 2013

the next big thing (too?)

by maria polonchek
um...this is the folder a friend put the manuscript in for me after I left it loose-leaf under her windshield wiper.

um…this is the folder a friend put the manuscript in for me after I left it loose-leaf under her windshield wiper.

Katie tagged me last week to answer some questions about the manuscript I’m currently not-trying-very-hard to get published. I mean, I tried for a while. I sent a query letter to a dozen big agents in NYC and heard back from one, replied promptly and enthusiastically, and then…nothing. Then, this good friend I have who wrote a manuscript when I did, got published in a big way with the help of the first agent she contacted, and because I relentlessly compare myself to other people I got jealous, got over it, and gave up anyway. The good news is that one agent read an essay published in Brain Child and has kept in touch about my progress.

So, while I don’t really feel like The Next Big Thing, but rather The Next Big Nothing, Katie will ride my ass until I answer these questions:

What is the title of the book?

Parts We Didn’t Know We Had: A Mother’s Search under the Surface

Where did the idea come from for the book?

About eight years ago, I experienced an unplanned pregnancy, had twins, and suffered terribly from depression. I’m not sure which part was most difficult, but the cultural taboos against speaking about any of the experiences candidly caused me to feel so much isolation and grief. I found solace in the few essays and books I read written by women who experienced similar hardships. I wanted to join the conversation. I found that writing about obscure body parts helped me explore themes that aren’t so tangible. Merging the concrete with the philosophical.

What genre does your book fall under?

Personal essays. I wrote fiction and poetry as an undergrad, but had no real motivation to create anything worthy of public consumption until I went through those most difficult times.  When I took a creative nonfiction class after I had the twins, I discovered a genre that felt perfect for the issues I wanted to explore.  Emily Dickinson wrote, “Tell all the Truth but tell it slant,” which is what any form of art does. But in the cases of tacking especially ambiguous themes, telling the truth in an artful way helps both the writer create and the reader absorb.

What actors would you choose to play the part of your characters in a movie rendition?

Hmmm…a movie based on personal essays. I just don’t see it happening. But…I guess the actor I love to dislike, Gwyneth Paltrow. She’s one classy broad, despite having the  soul of one who’s suffered. And she hangs with Jay-Z. I try not to implicate everyone else in my life too often in my writing, so the rest of the cast could be play by non-union extras.

What is the one sentence synopsis of your book?

This collection of personal stories—sometimes funny, sometimes poignant, but always honest—explores the complexities of having children.

How long did it take you to write the first draft of the manuscript?

Five years.

Who or what inspired you to write this book?

The placenta. The first essay I ever wrote was about this fascinating, mis-understood organ. It began as a research-driven essay, but morphed into a more personal cultural criticism about pregnancy and grief.

When I realized where I was going with my writing, after that first essay,  my children became the inspiration. As more parents produce personal writing out there, critics claim (among many things) that it will be difficult for their children to deal with in the future. But I view this project as a dedication to them: I hope to walk a fine line between telling my stories and leaving room for them to know their own. After coming out of the tunnel of post-partum depression, I believe the twins and I share a special relationship: in one essay I compare it to that of survivors.

What else about your book might pique the reader’s interest?

Let’s see…unplanned pregnancy, having twins, and depression.  Either you’re into it, or you’re not.

Will your book be self-published or represented by an agency?

Represented by an agency, if I ever regain the drive to get it out there.

March 9, 2012

but on a more positive note…

by maria polonchek

Just so you know I didn’t write on rejection to get you feeling sorry for me, I did get this:

Dear Maria:

I have now gotten the chance to read the sample chapters you sent and found them hilarious and arresting. I would welcome the chance to read the entire manuscript. Please send it as a PDF or Word document attaché dot the email.

Looking forward to reading you.

So, I’m just gonna go ahead and put all my eggs in her basket.

With fingers crossed,

Maria

March 9, 2012

rejection: a case study

by maria polonchek

Dear People Who Write Lots of Rejection Letters for a Living,

I know it’s inevitable. You are not going to be able to accept everyone’s work. Sometimes you even kind of like the work, but you’re in a competitive business and you’re a professional. And, sometimes the work just sucks and you’d rather pour rubbing alcohol in your eyes than read one more sentence.

But there are good rejection letters and bad rejection letters. I’m not sure if you’re aware, but writers tend to be sensitive people. Some mornings, there is something about the way the sunlight is flooding the room, the way it hits the grain of the wood floor just so, that overwhelms them, moves them, makes them want to weep. This, all is before they’ve gotten out of bed.

So you might want to think about how you phrase things. For example:

  • Dear Maria, Thank you for querying me about your manuscript, XXX XXX. I’ve read your sample pages and I’m sorry to say that the project just isn’t a perfect fit with my current needs. This has less to do with your strengths as a writer and more to do with my goals as an agent and the trends of the current literary marketplace.

This is good. And this:

  • Dear Ms. Polonchek, Thank you for your query about XXX XXX.  After careful consideration, I regret to inform you that the XX XX Literary Agency will not be able to represent you on this project. I thank you for the opportunity to consider your proposal and wish you the best of luck in your quest to find a publisher.

No problem. And this:

  • Dear Ms. Polonchek, Thank you for sending me your query. Unfortunately, you have come to us at a time when we are inundated with requests for assistance and representation. The need to allocate our time effectively forces us to decline participation in many worthy projects, and I regret that must be the decision in this case as well. I do appreciate your thinking of us, and wish you the best of luck with your book.

Fine. Whatever. But this?

  • Ms. Polonchek, I’ve considered your manuscript XXX XXX. While I find your writing intelligent and fluid, ultimately it was not compelling enough for me to want to continue reading.

Ummm…I feel like a simple “no thanks” would do the trick. That way, I wouldn’t have this tiny sewing needle jabbing me in the diaphragm every time I recall those words.

Just sayin’.

Sincerely, Best Regards, Good Luck, Merry Christmas, kiss my ass, kiss his ass, kiss your ass. Happy Hanukkah.

Maria Polonchek

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