Posts tagged ‘motherhood’

March 22, 2013

my half-finished kitchen

by katie savage

I’ve wanted to post some pictures of my newly remodeled kitchen for a long time. The only problem is that I haven’t actually finished remodeling the kitchen. I haven’t finished for a long, long time, and I was waiting to have it all done before I went and slapped pictures up on the Internet. After reading your post, Maria, about hobbies and motherhood, I decided to go ahead and slap.

Interior design is, perhaps, one of my hobbies. I am by no means trained. I am probably not even very good, by most people’s standards. I like reading design blogs and figuring out how to DIY things for little to no money. I am completely attracted to the dreaming part, the transformation part, which is why it is so fun to see an ugly, old space and imagine what it could become. When we were house hunting, I was drawn to the old, pieces-of-crap sort of houses with shag carpeting left over from the 1970s and walls needing to be torn out. Scott and I hardly ever agreed because he was drawn to the, you know, functional houses with cherry cabinets and granite countertops and new beige carpeting.

When we decided last summer to redo the kitchen, I got giddy. I got so bold that I even called actual people on the actual telephone to ask for quotes, which is one of those weird fears of mine that makes me procrastinate like nobody’s business. I read even more design blogs. I took field trips to Home Depot. I painted cabinets into the wee hours of the night (that is, after 10:30, when we usually go to bed).

And then, after the kitchen was in working order again, and after the designy part was over, I stopped.

Here’s the issue: I felt, and maybe feel, some sort of embarrassment that the kitchen isn’t finished. It feels like a metaphor for my life, and maybe it is. I go from one thing to the next, leaving unfinished activities in my wake. I pull out a pile of laundry to fold, get half of it done, am interrupted, and go on to take care of whatever new thing interrupted me. It drives my husband a little batty. He wonders why I can’t just finish what I started. It drives me batty, too.

I heard recently that the greatest enemy to creativity is interruption. That hit a nerve with me because motherhood seems to be one giant exercise in interruption. The kids interrupt my sleep, my thought processes, my sentences, my huge remodeling projects. Since I’ve come to believe that much of my identity is wrapped up in being a creative, my frustration with unfinished projects began to make more sense. It’s difficult to execute creative projects—either new kitchens or new essays and blog posts and books—when you’re being interrupted by people who need things.

Am I blaming my half-finished kitchen remodel on my children? Absolutely I am. Those kids are little joy-sucking amoebas that have turned me into a half-asser.

But then again.

I think this frustration comes back to the “balance myth,” as you have called it. That term doesn’t feel right to me because I believe that balance is achievable—not in each individual moment, as your point gets to, but in an overall sort of scheme of things. Rather, I’d call it the “You Can Have It All Myth.” I don’t believe you can have it all—not on a large scale and not on a small scale. That’s the nature of life, I think: that you make choices. You figure out what is important to you and when, and you give your life over to those things. If you didn’t have to choose, and if there was some way that you could have it all, I’d argue that life would start to seem… flat.

Sometimes, a kitchen remodel is important. It is important because it helps me to be creative. It helps me to remember my strengths and what it feels like to throw myself into a project. It’s fun. It gives me a happy space. It gives me much, much better countertops.

And then sometimes, a kitchen remodel isn’t the important thing anymore. It gets pushed aside for playing hide-and-seek or peekaboo. For eating too many cookies with my husband. For catching my breath on the sofa during naptime.

And I am pretty proud of my half-finished kitchen.

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Before

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Before

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Before

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Before

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New open shelving. Counter-height bar area.

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Pay no attention to the exposed, unpainted drywall. Pay attention instead to the sparkly over-sink chandelier and the fancy vent.

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Again: green painter’s tape: not part of the design. Cool microwave shelf? Part of the design.

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Ceiling is unfinished. Floors are unmopped. But don’t you love the stainless steel countertops? And the cool white Corian?

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You can just see the giant pantry we added. It is a slightly different color than the dark green cabinets. It’s called “Extra Virgin Olive Oil.”

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Old, thrifted filing cabinets. They’re like old card catalogs except more functional.

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The stove. Not updated. I wanted to make use of our white appliances.

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Another shot of the microwave shelf.

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I had all that fruit in the fruit bowl already. Like a boss.

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Chalkboard meal planner was a Christmas gift.

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Craigslisted those bar stools. In love with them.

 

 

March 20, 2013

don’t ask me if i’m still writing.

by maria polonchek

My mom joked recently that she was going to have the phrase above printed on a shirt. (Her poignant, accessible book of poetry that explores topics from aging to war to grief can be found here.) (Have you noticed “poignant” is my new favorite word?)

Most writers (and artists and musicians and actors) who have begun or completed a major project hear this type of question often. How disappointing it is the times you have to look down at your twiddling thumbs and mutter “not really.” (Never “no.” And ALWAYS followed by an unsolicited excuse: My material was stolen. I had a baby. I was struck by West Nile Virus  My material was stolen, I had a baby, and was struck with West Nile Virus ALL AT THE SAME TIME.)

tangolikeraindrop.blogspot.com

tangolikeraindrop.blogspot.com

But, really? I’m always writing. The words flow from my gut to my heart to my brain to my twitching fingers and back to my brain again, if I can’t get them out. I’m always re-sorting experiences, organizing discussions, making sense of how sad the grocer looks, a secret the waiter must be keeping, the way the light is flooding the room.

How does it take shape? If I’m working on my novel, the words find their way in. If I’m behind on the blog, a new post sparks from the void. If I’m thinking like an essayist, lo and behold: I have another essay. When I answered the question for The Next Big Thing, “How long did it take you to write the first draft of the manuscript?” I laughed to myself and thought, my whole fucking life. When I’m asked what authors influence my work, I will say, anyone I’ve ever read. When asked what book is my favorite, I will say, the last one I finished.

I’m never not writing. So, according to poet Charles Bukowski, and others like him, I’ve found my calling. He says, on being a writer:

if it doesn’t come bursting out of you in spite of everything, don’t do it.

But still. A mother of young children finds it difficult to create. I can’t put my finger on why. Several women have tried, if you’re interested: here, here, and here.

Maybe it has to do with the myth of “balance.” When I try for balance, and one part is given more weight, the rest will tumble off the scales. Sometimes, the writing wants to consume me. Sometimes I have to let it. Sometimes, my family wants to consume me. Sometimes I have to let them. The time my familial life is most harmonious is when I’ve quieted the flood of words, whispered to the writer in me, not now. The times I’m most productive as an artist, humming along on a manuscript, I’m irritated easily by my husband and children, we eat frozen pizza for days on end, and no one can find anything in the house.

Those who offer encouragement say, “but having a child is the ultimate creative act.”

No, I don’t feel this way. A force beyond anything I could control or understand produced the art that came from the depths of my body. It was not my own.

Motherhood and creativity have a complicated relationship: not unlike that of the oil and vinegar I pour on our greens in the evening. Together, but separate. Complimentary, but will also stand on their own. A work of art when swirled, but never truly integrated.

I’ll let you decide which is the light, which is the dark. It may depend on the day.

So, yes, I’m still writing. I will always be writing.

But, for now, the pages come like slow contractions before the rush of transition: with long breaks in between.

March 14, 2013

on the bike i ain’t nobody’s mama

by maria polonchek

IMG_3657Because we sometimes forget that we agree to disagree, my husband and I periodically have a conversation when he gets home from work that sounds like this:

me: I’m so glad you’re home. The kids are driving me crazy and we need to figure something out for dinner and I’ve been working on the house all day. I’m exhausted.

him: I’ve been working all day, too, you know.

me: I didn’t say you weren’t. But I need a break from doing the same kind of work. If I don’t get a break, I’m doing the same thing, 24 hours a day.

him: I know you work hard. But when do I get a break?

me: But if you get a break when do I get a break?

Then we say we don’t know how single parents do it.

This is not earth-shattering stuff. And it’s the stuff of a relatively privileged life. If you “stay at home,” you have similar conversations. If not, you’re tired of hearing about them from those of us who do. And before you get all excited over opinions of working moms vs. “stay-at-home” moms (always in quotations until I learn of a less ridiculous term for this lifestyle), understand: this is not that kind of piece. Yes, I know the debate is alive and well lately, but here’s a secret the flame-fanners ignore: I’ve done it both ways with young children and there are benefits and disadvantages to working outside the home and working with the home. Don’t talk yourself into thinking that if you could to just go back to work or just quit your job and stay home, your life would get better.

But after having this who gets a break? conversation with friends and, ahem, spouses-who-shall-go-unnamed, I’ve been thinking: It’s not so much that I need a break from the work (that is exhausting and unpaid and culturally under-appreciated…but that is a different piece); it’s about a break from identity.

Nothing I’ve done in life has flooded me with a tidal wave of identity like becoming a mother. It was only after having my third child that I finally knew I had what it took to “stay at home.” That’s right: going back to grad school and working full-time was easier for me than staying home with twins. I had lost my already-shaky sense of identity and I didn’t know how to be a mother until I understood who I was outside of being a mother.

Back when I was teaching and writing full-time, when I met someone new, I would tell them I have three children and I teach and write. Then, we would go on to have a conversation about interesting things. Now that I tell people I have three children and I “stay at home” the conversation stalls. She must not have much to talk about, is the unspoken message I get. This reaction is not just in my head. In social settings I’ve observed friends who work outside the home quickly make it clear that they have real jobs besides “just” being a mother. I could do it too; I can say I’m a writer. But unless I’m feeling especially insecure, I don’t. I want it to be clear that “staying at home” is something I value and take pride in and yet— surprise! —I still have other things to talk about.

Cycling is one of the few pre-children identity-holdovers that I’ve kept since becoming a mother. (Even writing is something I began professionally after I had kids.) And I’ve held onto cycling not just because it fills me with passion and the energy of living. I hold onto it because it gives me that break I need from being someone’s mother. When I go through the ritual of putting on my funny little lycra pants, my jersey, my helmet, and I head out to climb the foothills and speed down the road, I am a cyclist. I am anonymous and free and I could be anyone to the stranger driving by.

I need this and my children don’t know it yet, but they need this for me. I need a break from being their mother so I can be a better mother.

What is your passion? What fills you with the goodness of life? Is it professional? Getting that certificate, going back to school,  finishing that novel? Is it creative? Photography, fashion, design? Is it physical? Dance, yoga, swimming? Is it whimsical? Reading, watching your favorite show, sitting in a sunny corner with a mug of tea?

If you haven’t the means to engage your passion, I hope you can find a way. If you choose not to engage, think twice before judging people who do. It means the world has one less resentful, bitter, unfulfilled person, which can only make it a better place.

What is your passion? Don’t let anyone make you feel guilty that it isn’t why you got a degree or it doesn’t bring in money or somehow you haven’t “earned” it.

People will judge you. Let them. And don’t fall into the trap of telling yourself you’re doing it for the kids. There’s nothing wrong with doing it for yourself.

Sometimes you’ve got to be nobody’s mama.

February 27, 2013

the next big thing (too?)

by maria polonchek
um...this is the folder a friend put the manuscript in for me after I left it loose-leaf under her windshield wiper.

um…this is the folder a friend put the manuscript in for me after I left it loose-leaf under her windshield wiper.

Katie tagged me last week to answer some questions about the manuscript I’m currently not-trying-very-hard to get published. I mean, I tried for a while. I sent a query letter to a dozen big agents in NYC and heard back from one, replied promptly and enthusiastically, and then…nothing. Then, this good friend I have who wrote a manuscript when I did, got published in a big way with the help of the first agent she contacted, and because I relentlessly compare myself to other people I got jealous, got over it, and gave up anyway. The good news is that one agent read an essay published in Brain Child and has kept in touch about my progress.

So, while I don’t really feel like The Next Big Thing, but rather The Next Big Nothing, Katie will ride my ass until I answer these questions:

What is the title of the book?

Parts We Didn’t Know We Had: A Mother’s Search under the Surface

Where did the idea come from for the book?

About eight years ago, I experienced an unplanned pregnancy, had twins, and suffered terribly from depression. I’m not sure which part was most difficult, but the cultural taboos against speaking about any of the experiences candidly caused me to feel so much isolation and grief. I found solace in the few essays and books I read written by women who experienced similar hardships. I wanted to join the conversation. I found that writing about obscure body parts helped me explore themes that aren’t so tangible. Merging the concrete with the philosophical.

What genre does your book fall under?

Personal essays. I wrote fiction and poetry as an undergrad, but had no real motivation to create anything worthy of public consumption until I went through those most difficult times.  When I took a creative nonfiction class after I had the twins, I discovered a genre that felt perfect for the issues I wanted to explore.  Emily Dickinson wrote, “Tell all the Truth but tell it slant,” which is what any form of art does. But in the cases of tacking especially ambiguous themes, telling the truth in an artful way helps both the writer create and the reader absorb.

What actors would you choose to play the part of your characters in a movie rendition?

Hmmm…a movie based on personal essays. I just don’t see it happening. But…I guess the actor I love to dislike, Gwyneth Paltrow. She’s one classy broad, despite having the  soul of one who’s suffered. And she hangs with Jay-Z. I try not to implicate everyone else in my life too often in my writing, so the rest of the cast could be play by non-union extras.

What is the one sentence synopsis of your book?

This collection of personal stories—sometimes funny, sometimes poignant, but always honest—explores the complexities of having children.

How long did it take you to write the first draft of the manuscript?

Five years.

Who or what inspired you to write this book?

The placenta. The first essay I ever wrote was about this fascinating, mis-understood organ. It began as a research-driven essay, but morphed into a more personal cultural criticism about pregnancy and grief.

When I realized where I was going with my writing, after that first essay,  my children became the inspiration. As more parents produce personal writing out there, critics claim (among many things) that it will be difficult for their children to deal with in the future. But I view this project as a dedication to them: I hope to walk a fine line between telling my stories and leaving room for them to know their own. After coming out of the tunnel of post-partum depression, I believe the twins and I share a special relationship: in one essay I compare it to that of survivors.

What else about your book might pique the reader’s interest?

Let’s see…unplanned pregnancy, having twins, and depression.  Either you’re into it, or you’re not.

Will your book be self-published or represented by an agency?

Represented by an agency, if I ever regain the drive to get it out there.

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